Here’s a pg I finished last month for #16. The book is shot from my pencils, so I can’t slop the pg up like I usually would if it was being sent to an inker. It was difficult to adjust to in the beginning, because that meant really changing a lot of aspects of how I work, like drawing mostly on the back of the pg now, then tracing through on a lightbox.
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It’s then sent off for production, which involves cleaning up the dirt off the page from some of my underlying drawing with a col-erase blue pencil, and then filling in the blacks wherever the X’s are placed. After that, they send it off to the colorist on the book, Ivan Nunes, who I think is doing a fantastic job.
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Here are 2 more examples from #16 as well.
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1 comment:
Great to see the process and congrats on starting the blog!
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